Dua Lipa Codexery

Don't Start Now Era Shows (2020)

Disco-ball glitter, choreographed fire, and a 2020 that never got the encore it deserved.

The Don't Start Now Era Shows (2020) refer to the live performances and staged appearances Dua Lipa delivered in 2020 to promote her second studio album, *Future Nostalgia*, and its breakout lead single "Don't Start Now." These shows marked a deliberate return to disco-funk aesthetics, with choreography-heavy routines, bold color palettes, and a stage presence that blended 1970s dance-floor energy with a sleek, futuristic visual language. Because the global pandemic struck in early 2020, the era's live footprint was dramatically curtailed. What fans remember is a compressed window of high-impact TV performances, press-tour appearances, and a planned arena tour that was ultimately postponed, making the shows that did happen feel especially precious and eventful.

Artist
Dua Lipa
Album
Future Nostalgia
Lead single
Don't Start Now
Year of performances
2020
Sonic palette
Disco-pop, funk-pop, new-wave influences
Tour status
Planned arena tour postponed due to 2020 pandemic

Lore & Background

The Don't Start Now era was conceived as a full sensory reset. After the more introspective and R&B-tinged *Complete* cycle, Dua Lipa and her creative team leaned hard into the dance-floor: four-on-the-floor kick drums, shimmering string stabs, and a vocal delivery that felt like a late-night confessional delivered at full volume. The single's music video established a visual grammar—saturated pinks and electric blues, sharp-shouldered tailoring, a rotating disco sphere—that carried directly into every live set from that point forward. In 2020, that grammar translated to the stage as a tightly choreographed, high-tempo show. Backing dancers in coordinated outfits, rapid costume changes between tracks, and a lighting rig that pulsed in time with the bassline became signature elements. The pandemic then froze the era mid-stride. A planned multi-city arena run was shelved, and the live experience fans had been building toward never materialized in full. What remained was a scattered constellation of televised sets and press appearances that, in hindsight, gave the era a bittersweet, almost archival quality—like a highlight reel of a film that was never finished.

In Their Own Story

The studio lights snap on with a half-second delay, and the first four hits of the kick drum land in the chest before the melody even arrives. Dua is already moving, shoulders rolling in a slow figure-eight, the pink satin jacket catching every beam. The camera cuts wide: a single disco ball, no bigger than a basketball, hangs above the set and throws a thousand tiny stars across the backdrop. Then the track drops out, the lights dim to a single amber spot, and she just stands there, breathing, grinning at the band like she's sharing a secret. The applause comes in a wave. She tips her head, winks, and the next song is already counting in.

Reader's Guide

Think of the Don't Start Now era shows as a small, glittering disco you can step back into. The setlist arc typically opened with a high-octane funk number to set the tempo, moved through the album's mid-tempo ballads where the lighting softened to deep purples and the choreography became more fluid and intimate, then closed on a crowd-chant anthem that left everyone on their feet. Stage design leaned on clean geometric shapes—angular platforms, a central rotating disc, and a backdrop of LED panels cycling through saturated gradients. Costume changes were quick and theatrical: a sharp-shouldered blazer swapped for a sequined mini, a leather jacket over a mesh top, each look a different shade of the era's pink-blue palette. Audience interaction in the TV-studio versions was subtle—a direct-to-camera wink, a hand extended to the nearest viewer, a call-and-response on the chorus that made the small room feel like a sing-along. The moments that stuck: the slow-motion chorus where the disco ball was the only light source, the final bow where the dancers formed a semicircle and Dua dropped to one knee before springing back up, and the encore that was essentially one long, joyful dance break with no vocals at all.

Did You Know?

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